Vienna has long been synonymous with music—a city where melody flows as naturally as conversation, and where genius has walked the cobbled streets in the form of Mozart, Schubert, Brahms, and countless others. The Mainly Mozart Festival presents “Postcards from Vienna”, a one-night-only performance on Friday, June 6 that offers an evocative, multi-era portrait of Vienna’s enduring influence on classical music.

The concert takes place at the Newman Recital Hall within UM’s Knight Center for Music Innovation, beginning at 8 p.m. (doors open at 7:30). The evening features two rising stars of the international classical stage: violinist Joshua Brown, a laureate of the 2024 Queen Elisabeth Competition, and pianist Marina Radiushina, an acclaimed artist whose sensitivity and expressive depth have captivated audiences across the globe.

City in sound: Four musical snapshots

“Postcards from Vienna” is more than a concert—it’s a curated journey through the emotional and historical arc of one of the world’s great musical capitals. Through works by Mozart, Schubert, Kreisler, and Brahms, the program moves chronologically and emotionally from Classical balance to Romantic fervor, Viennese nostalgia, and late 19th-century introspection.

The evening opens with W.A. Mozart’s Violin Sonata in B-flat Major, K. 454, written in 1784 for the renowned violinist Regina Strinasacchi. A showcase of Classical-era poise and conversational balance between violin and piano, the sonata epitomizes Mozart’s Viennese period—elegant yet emotionally direct, structured yet sparkling.

From there, the audience is guided into the Romantic era with Franz Schubert’s Rondo in B minor, D. 895—also known as the “Rondeau brillant.” Composed in the final years of Schubert’s life, this virtuosic and emotionally rich work captures the restless spirit of Romanticism, marrying lyrical warmth with dazzling technical display.

Following a brief intermission, the mood turns nostalgic with two beloved miniatures by Fritz Kreisler: Liebesleid (“Love’s Sorrow”) and Liebesfreud (“Love’s Joy”). Written in Kreisler’s trademark style—wistful, tuneful, and lushly sentimental—these pieces are among the most cherished encores in the violin repertoire. They evoke a golden age of Viennese charm, with just a hint of melancholy.

The program concludes with Johannes Brahms’ Violin Sonata No. 3 in D Minor, Op. 108, composed between 1886 and 1888. Often regarded as Brahms’ most dramatic and impassioned violin sonata, the work juxtaposes stormy passages with moments of intense tenderness. Here, Vienna’s past confronts its future—its traditions carried into a new, more uncertain world.

Dialogue across time

The pairing of Joshua Brown and Marina Radiushina is inspired. Brown’s rising star status was recently affirmed by his top honors at the 2024 Queen Elisabeth Competition—one of the most prestigious classical contests in the world. His playing combines technical brilliance with a nuanced understanding of style and emotion.

Radiushina, an accomplished soloist and chamber musician, brings an equally compelling voice to the stage. Known for her interpretive intelligence and expressive phrasing, she is uniquely suited to a program that moves through so many emotional registers. Together, the duo will trace Vienna’s cultural DNA with clarity, intimacy, and passion.

Details, ticket information

“Postcards from Vienna” is part of the Mainly Mozart Festival, now in its 31st season. The performance runs approximately 90 minutes, including intermission. It will be held at the Knight Center for Music Innovation, located at 5513 San Amaro Drive, Coral Gables.

Tickets and additional event information can be found here.

Whether you’re a lifelong lover of classical music or simply curious about the enduring legacy of Vienna’s musical genius, this performance promises a profound and rewarding experience. In a city known for its elegance, “Postcards from Vienna” delivers Coral Gables a night of timeless beauty and expressive storytelling—told in the universal language of music.